Blacksad - Volume 2 - Arctic nation
Blacksad - Volume 2 - Arctic nation

Blacksad - Volume 2 - Arctic nation

Oldsmill, the town's head honcho, is a white tiger.

Karup, the chief of police, is a white bear.

Huk, Karup's henchman, a white fox.

Along with the other animals of immaculate pelt, they form the WASP association (W for White, AS for Anglo-Saxon, P for Protestant). All other town residents, from the black magpie to the reddish-brown fox to the tabby cat, are nothing but trash. And if the police aren't able to enforce white law, the wide-reaching arms of the ruthless Arctic Nation party, hooded and decked out in white robes, will soon put things in order. And they've got all the ropes and burning crosses they need.

In this unwelcoming environment, Blacksad, a private detective, is investigating the disappearance of a child of color, Kyle. Dinah, Kyle's mother, had a job as Karup's housemaid, and some say she was getting pretty friendly with Oldsmill's son.

It doesn't take Blacksad long to get his claws right into the vipers' nest, and he's as quick to lash out as any of them...

Book details

About the author

Juan Diaz Canales

Juan Díaz Canales was born in 1972 in Madrid, Spain. He started reading comic books very early on, before getting interested in cartoons. And that was that--he decided to make a profession out of it! At 18, he joined an animation studio, where he met Juanjo Guarnido, who soon became a great friend. Juan remained in Spain while Juanjo went to France to work for the Disney animation studios. But that didn't stop them coming up with one of this decade's greatest comic book projects, the future "Blacksad," a massively successful 1950s-style detective series. Meanwhile, Díaz Canales pursued studies in the fine arts, then, in 1996, founded a company called "Tridente Animation" with three other designers. This got him started working with various European and U.S. companies. He now divides his time between his screenwriting for comics and animation, and supervising TV series and feature film animation. Since "Blacksad," he's worked with numerous illustrators, including José Luis Munuera on his beautiful two-part series "Fraternity" (Dargaud, 2011). He's also taken on the continuation of the adventures of Corto Maltese in collaboration with Ruben Pellejero. His most recent work includes the ambitious "Gentlemind," set in New York and spanning three decades (Dargaud, Europe Comics in English).

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